Exclusive: ‘Ultron Forever’ assembles time-traveling Avengers team

Nov. 26, 2014 | 5:00 a.m.
The color cover for "Avengers: Ultron Forever" No. 1, the first of three oversized comic issues written by Al Ewing and illustrated by Alan Davis. (Marvel Entertainment)

The color cover for “Avengers: Ultron Forever” No. 1, the first of three oversized comic issues written by Al Ewing and illustrated by Alan Davis. (Marvel Entertainment)

Marvel is assembling a team of time-traveling Avengers from the past, present and future to fight mega-villain Ultron in three oversized comics, slated for release just in time for the much anticipated Marvel Studios blockbuster “Avengers: Age of Ultron” next spring.

The 90-page “Ultron Forever” story, which will unfold in “Avengers: Ultron Forever” No. 1, “New Avengers: Ultron Forever” No. 1 and “Uncanny Avengers: Ultron Forever” No. 1, aims to introduce casual readers to the robot baddie in addition to appealing to devoted fans’ nostalgia. And since comic book newcomers are more familiar with the big-screen incarnations of Marvel’s mightiest than the African American Captain America and female Thor currently in the pages of comics, time travel seemed a clever way to bring more familiar versions of the superheroes to the story, said Tom Brevoort, Marvel senior vice president of publishing and executive editor.

The “Ultron Forever” books, to be penned by Al Ewing (“Loki: Agent of Asgard,” “Mighty Avengers”) and illustrated by comics veteran Alan Davis, will gather the current iterations of Black Widow, the Vision and the female Thor as well as classic versions of Thor and the Hulk, James “Rhodey” Rhodes as Iron Man, and a never-before-seen future Captain America — the daughter of Netflix-bound Marvel heroes Luke Cage and Jessica Jones. They are ostensibly transported through time via Doctor Doom’s time machine in order to defeat Ultron, though there might be more to their arrival than is initially revealed, Ewing said.

The tale is set some 50 years from now in a dystopian future in which Ultron, an automaton hellbent on destroying humanity, has won. The scene was set in the recent Jonathan Hickman-written “Avengers” No. 31, tied to the “Original Sin” story line.

Leinil Francis Yu's cover for "Avengers" No. 31, by Jonathan Hickman. The story revealed a future in which Ultron had won. (Marvel Entertainment)

Leinil Francis Yu’s cover for “Avengers” No. 31, by Jonathan Hickman. The story revealed a future in which Ultron had won. (Marvel Entertainment)

“It was a happy accident that Jonathan had just set that world of the future up, that Ultron-dominated world, because when we were thinking about this, it was sort of low-hanging fruit,” Brevoort said. “From what little we’ve already seen, that’s a world in which there are no heroes, so the idea that in order to face the threat of Ultron, you’d have to cast into the past and pull the great heroes of history gave us immediately a setup that fit for the kind of story we were trying to do.”

Ewing, who is still in the process of creating the plot for the “Ultron Forever” books, said the new tale will offer an explanation for Hickman’s strange future, which saw future Thor calling Ultron the “All Father” (the name usually refers to the god Odin).

“We find a bit more about why Thor is serving Ultron.… The robot, cyborg-type Avengers are serving Ultron, and we learn there’s a small cadre of human beings,” said Ewing, who got his start at Marvel writing Ultron-related stories for “Avengers Assemble” tie-ins. “Ultron is fun because you can kind of decide how human or inhuman he is. He can either be this completely soulless machine, or he can be this rambling madman who happens to be a robot. He kind of meets the needs of the story that way.”

And in this particular story, Ewing’s Ultron is more than a little mad.

“He’s achieved all his goals, and he’s kind of become this godlike figure,” Ewing said. “It’s almost like humanity is just this resource for him now, but at the same time, he’s enjoying lording it over them.… He’s enjoying pulling the wings off the fly, so to speak, and really taking his time over his final victory.”

Gathering a team of Avengers to face the robotic supervillain was a particular pleasure for Ewing, who had freedom to choose from an expansive roster of larger-than-life characters from all of Marvel’s 75-year history.

“My first thing with teams is if you put two of them in a room together, have you got a story? And I think with this bunch, it’s definitely true,” Ewing said. “There are in the story reasons why they’ve been taken from the particular times and places they have been. It turns out to have bearing on the story.”

A page from "Avengers: Ultron Forever" No. 1, the first of three oversized comic issues written by Al Ewing and illustrated by Alan Davis. (Marvel Entertainment)

A page from “Avengers: Ultron Forever” No. 1, the first of three oversized comic issues written by Al Ewing and illustrated by Alan Davis. (Marvel Entertainment)

Ewing, whose first introduction to Marvel superheroes was the landmark 1984 “Secret Wars” story line, chose the Iron Man and Thor of his childhood.

“Growing up, I didn’t particularly care who Tony Stark was — it was Jim Rhodes, this guy who was with the rest of the superheroes on this little alien planet fighting each other,” Ewing said. “So yeah, I do kind of want to have him back in the red and yellow, because it’s a nice nostalgic thing for me, and it’ll be good for a bunch of readers who remember that whole era.”

Ewing also chose the iteration of Thor popularized by writer-artist Walter “Walt” Simonson in the 1980s, with a big beard and blue and gold armor.

“It’s what I grew up with,” Ewing said. “I won’t spoil exactly which one, but it’s kind of important the particular time during the Walt Simonson run he’s been taken from.”

"The Mighty Thor" No. 373, by Walter "Walt" Simonson. (Marvel Entertainment)

“The Mighty Thor” No. 373, by Walter “Walt” Simonson. (Marvel Entertainment)

Walt Simonson’s Thor will come face to face with the lady Thor from Jason Aaron’s current run, though her identity will likely still be a mystery when “UItron Forever” is published, Brevoort said. And there will be at least one other Thor incarnation, Ewing said, joking, “It’s a smorgasbord of Thors.”

They will be joined by a pre-Avengers, Stan Lee version of the Hulk from the early 1960s — with three toes and a penchant for calling people “palookas,” Ewing said.

From the present are current versions of Black Widow and the Vision, two characters who have yet to interact in any meaningful way, Brevoort said.

“That’s a mismatched pair. For all that, in the comics, they’ve both been Avengers for a considerable amount of time, I can’t think of a lot of situations, circumstances or adventures that they’ve experienced together,” Brevoort said. “So here, they are sort of a strange odd couple duo.… They have a common bond that they’re both from today, and theoretically, that’s the same bond the reader has.”

And from the future comes a brand new version of Captain America, Danielle Cage — the grown-up daughter of Luke Cage and Jessica Jones, who is currently an infant in the comics.

“She’s very strong, and she’s as bulletproof as her mom and dad were,” Ewing said. “She has the Captain America shield with an anti-gravity unit in it, which she can sort of control with a unit on her glove. I’m going back to the days of the ‘60s where, for about five minutes, Captain America worked his shield with magnets. She’s not throwing the shield so much as flying it out, and then it ricochets off of people and comes back to her. It’s pretty cool.”

As the team member from the future, Dani possesses knowledge of the Avengers’ futures and offers some clues throughout the story.

“She keeps calling the Black Widow ‘Madame Natasha,’ and she’s just hinting that in the future, the Black Widow’s this sort of old-school Nick Fury figure, directing the future Avengers. And the last time we would have seen her from Black Widow’s perspective was attending her first birthday.”

Brevoort said the new, half-African-American, female Captain America could stick around in comics if she is well-received.

“Whether or not that infant will grow up to be that character in the course of our stories is part of the ongoing soap opera that we tell,” he said. “What tends to happen is we’ll do a story like this, and if the character clicks with people, we tend to do more of them.… She’s a good character, and if she bounces off the page in the way that we hope she will, then we’ll be able to do more.”

The black and white cover for "Avengers: Ultron Forever" No. 1, the first of three oversized comic issues written by Al Ewing and illustrated by Alan Davis. (Marvel Entertainment)

The black and white cover for “Avengers: Ultron Forever” No. 1, the first of three oversized comic issues written by Al Ewing and illustrated by Alan Davis. (Marvel Entertainment)

And with artist Alan Davis at the helm, she won’t lack for opportunity to pop on the page.

“He’s a world-renowned comic master,” Brevoort said. “He’s been in the business long enough to illustrate some of these characters from when they were new characters from the past. He is an excellent fundamental superhero artist who’s pretty much done it all and can do it all very, very well.”

Working with Davis inspires Ewing to reach for more grandiose moments and ambitious plot elements in planning “Ultron Forever,” the writer said.

“I seem to be writing a lot more expansive vistas and big spreads and big action moments — all the things I’d like to read in an Alan Davis comic — whereas usually I’m not thinking quite so epically,” Ewing said. “I grew up reading his stuff, so it’s a massive honor for me. I’m hoping so far I’m doing all right by him. I send him the plot, and I just get back these wonderful pages of art, which I then have to dialogue in a way that does them some kind of justice, and it’s kind of a dream come true, really.”

Brevoort said the three “Ultron Forever” issues will be released between April and May, “right in the umbra of the lead up to the film,” which opens in theaters May 1, 2015.

“The tremendous success of these films means far, far more people are aware of and interested in these characters and the stories that go on with them,” Brevoort said. “So as people are getting excited and seeing the latest ‘Age of Ultron’ trailer, these comics will be coming out to whet their appetite for the film and to feed their hunger for information as to what the big robot guy with the strings is all about.”

– Noelene Clark | @NoeleneClark | Google+


Cover art for "Captain Marvel" No. 17, a 40-page special issue out this month. (Marvel)

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5 Responses to Exclusive: ‘Ultron Forever’ assembles time-traveling Avengers team

  1. Ra Gustavson says:

    Cross Time Kang is a far more interesting character. (The secret Future Dr. Doom). Course I should reread all those Fantastic Four Comics. I'm excited about Ultron too. (But the last Iron Man film let us down with a joke of a villain–great actor, Ben Kingsley–but turned a seriously great character into a joke.

  2. guest says:

    If I was to do the time traveling Avengers routine. I would go back in time and snag the original Captain Marvel before he dies. Go into the future and get Killraven. Go back to 1976 and get the original Manning Deathlok (he could do Visions role). Go back in time and grab Ulysess Bloodstone before he dies. Next, go to that alternate reality and recruit Hyperion as their muscle.

    Maybe send them against timelords like Immortus or Kang.

  3. AParkRo says:

    The fact that Alan Davis will be illustrating this story is the main draw as far as I'm concerned. Of course, I'm going to wait for it to be collected into a trade paperback.

  4. Kwabena says:

    I will not support in any way knowingly any of the following: African-American Captain America, A female Thor, an Hispanic Spiderman, an egomaniacal Tony "Iron Man " Stark or the "death" of Wolverine. My reasoning for the first two is that there are ample characters in the marvel pantheon that need to be developed which more than satisfy the social diversity card (if you want to play that game) and Marvel has led since the sixties with the creation of heroes and heroines that were sensitive to the African-American and feminist issues. Make as popular as Captain America, Black Panther or Power Man (this was why they were created in the first place) why make a female Thor when there is Sif, Brunhelda, Karnila, Hela, The Enchantress and Frigga which was introduced in the Age Of Darkness movie and then summary killed two frames later…the wife of Odin dies an ignoble death five seconds after being introduced arguably with the potential to be one of the most interesting and fascinating characters to be introduced into the Marvel universe in years. So I will not be supporting any of that crap and if it makes its way to the movies that is the one thing which will prevent me from spending my dollars to see a Marvel movie which I am otherwise pretty much committed to no matter what is made…I'll see Millie the Model or the Rawhide Kid if Marvel makes them but I will not read or watch a book or movie in which Captain America is Sam Wilson when the Falcon has (or had) his own character, persona and life. Excelsior!

  5. Hillie Shirley says:

    That is wicked that they are using an idea like this. Spanning out between all the years The Avengers have been around and choosing different ones. It seems like it will make a good story.

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