‘2001’ and beyond: Neil deGrasse Tyson names his top 10 sci-fi films

The Day the Earth Stood Still (1951): The story was so strong and compelling that the film did not require heavy special effects or monsters or violence to be simultaneously hopeful and terrifying.

2001: A Space Odyssey (1968): Perhaps the first film to be all about the discovery of alien intelligence yet not show what it looks like, knowing that our imagination could surely do a better job than Hollywood. In any case, it was a visual orgy of space travel and space exploration that we remain far from achieving, even 13 years after the 33 years-in-the-future it portrayed.

Planet of the Apes (1968): Saw this again recently and it held up over all these years in many important details. Had not appreciated when I first saw it. The hierarchy of apes that ran the planet, chimps were the academics, baboons were the soldiers, orangutans were the diplomats. An action-adventure movie that was an insightful mirror to our lives and our civilization.

The Terminator (1984): Deftly woven action, violence, sentient machines, a heroine and time travel. All stitched together in a tight and scarily plausible storyline. And, when you think about it, a perfect acting vehicle for Arnold Schwarzenegger, as a mostly mute terminator, whom many would rather look at than listen to.

The Quiet Earth (1985): Low budget, low distribution. One of many films that imagine for you what life might be like if you were the last person alive on Earth. In this case, the premise, the story, the casual science literacy of the main character, keeps the viewer in suspense the entire time, wondering what the hell happened and why.

Jodie Foster as Dr. Eleanor “Ellie” Arroway in 1997’s “Contact.” (Warner Bros.)

Contact (1997): The second film that I know of that is all about contact with alien intelligence and yet does not offer you a glimpse of what they look like. Perhaps it’s no surprise that Carl Sagan advised Arthur C. Clarke to not show aliens in “2001: A Space Odyssey,” and “Contact” itself is Carl Sagan’s Story. A brilliant exploration of how our culturally and religiously pluralistic society might react to the knowledge that we have been contacted by a species more intelligent than we are.

Deep Impact (1998): There have been many asteroid/comet disaster films. But this one took the time to get most of the physics right, and made sure you cared about all the characters in the film so that their prospect of dying matters to the viewer. And Morgan Freeman’s portrayal of the president of the United States may be the best ever.

The Matrix (1999): My top film in any category. From the opening credits to final scenes, every moment of this film is so fully conceived and so well executed that in spite of the complete fantasy world portrayed, the viewer was there, experiencing it with the characters themselves.