‘Texas Chainsaw 3D’ director: Leatherface abused, stunted, lethal

Jan. 03, 2013 | 8:30 a.m.
Heather Miller (Alexandra Daddario) on the run from Leatherface (Dan Yeager) in "Texas Chainsaw 3D." (Lionsgate)

Heather Miller (Alexandra Daddario) on the run from Leatherface (Dan Yeager) in “Texas Chainsaw 3D.” (Lionsgate)

It might not be as well known to some moviegoers as “Friday the 13th,” “Nightmare on Elm Street” or “Saw,” but “The Texas Chainsaw Massacre” ranks high among the most revered titles in the horror genre.

The 1974 serial killer story by Tobe Hooper sent five friends into the clutches of the Sawyer family, a clan of rural cannibals. Although the film’s central villain, the power tool-wielding Leatherface, lived on in sequels and a 2003 remake starring Jessica Biel, the series has lain dormant since 2006’s “The Texas Chainsaw Massacre: The Beginning,” which was a flop critically and commercially.

Now, director John Luessenhop (“Takers,” “Lockdown”) and a team of producers are resurrecting Leatherface with “Texas Chainsaw 3D.” The movie opens Friday and is expected to do strong business of as much as $18 million in its debut weekend.

“From the beginning, it’s been a mismanaged franchise — a boat that drifted off course,” said Carl Mazzocone, the producer most active in securing rights for and developing the new film.

The fact that there are far more producers — 15 — listed in the credits of “Texas Chainsaw 3D” than there are maimed corpses in the sequel itself, is proof not only of how complicated it can be to relaunch a horror franchise but also of Luessenhop’s desire to dial down the film’s body count.

The new film emphasizes a storyline about the relationship between a woman named Heather (Alexandra Daddario) and Leatherface (Dan Yeager), who share common kin. In the story, Heather inherits a home whose cellar happens to be occupied by a rather antisocial relative.

“What if you discovered the only family left to you was a monster?” Luessenhop said.

In fall 2008, Mazzocone traveled to Austin, Texas, to meet with the representatives controlling the “Texas Chainsaw” rights. The producer’s pitch was simple: The story of Leatherface should be as popular as the “Saw” movies, which Mazzocone and producer Mark Burg’s Twisted Pictures had made.

Director John Luessenhop with Alexandra Daddario on the set of "Texas Chainsaw 3D." (Justin Lubin/Lionsgate)

Director John Luessenhop with Alexandra Daddario on the set of “Texas Chainsaw 3D.” (Justin Lubin/Lionsgate)

“I told them we needed to put some level of integrity into the story,” Mazzocone said.

While the basic terms of the deal were hammered out in about 15 minutes, it took more than a year to finalize the contract and even longer to assemble a script that felt both fresh and reverential.

Mazzocone needed someone to bankroll the production. Lionsgate, which had released the “Saw” films and felt like a natural home for a new “Texas Chainsaw” film, was focused at the time on fending off takeover investor Carl Icahn and launching its “Hunger Games” series.

“They put all their chips on black with ‘Hunger Games,’” Luessenhop said.

Eventually, the project made its way to Campbell Grobman Films, a new company formed by Christa Campbell, an actress and former pinup girl, and Lati Grobman, a producer who had a long partnership with Avi Lerner and his Millennium Pictures.

Executive Producers of "Texas Chainsaw 3D" Christa Campbell, left, and  Lati Grobman have been friends for 10 years. (Arkasha Stevenson/Los Angeles Times)

Executive producers of “Texas Chainsaw 3D” Christa Campbell, left, and Lati Grobman were dogged in getting the film made. (Arkasha Stevenson/Los Angeles Times)

“We were taking meetings with other directors and writers pitching ideas of what could be the next big franchise,” said Campbell, who has acted in a number of horror movies including “2001 Maniacs,” “Day of the Dead” and “The Tomb.”

Added Grobman: “I know nothing about horror. I’m not a fan of it. But Christa knows the market, she knows the people. She’s the queen of horror.”

All the same, Lerner wasn’t inclined to finance the film, which was budgeted just below $20 million. Millennium specializes in action movies featuring actors with international appeal — “The Expendables,” with Sylvester Stallone and Jason Statham, a perfect example of his taste — not horror tales populated with no-name performers.

What’s more, Lerner likes to shoot his movies in places like Bulgaria to keep costs down, no small problem for a movie with Texas in its title (it was ultimately shot in Louisiana).

Campbell and Grobman kept pressing. “We would not leave Avi alone,” Grobman said. “I think he made the movie just because he wanted us to stop bugging him.”

With the money in place, Mazzocone turned to Luessenhop, despite the fact that he had never made a horror film before.

Dan Yeager stars as Leatherface in "Texas Chainsaw 3D." (Justin Lubin/ Lionsgate)

Dan Yeager stars as Leatherface in “Texas Chainsaw 3D.” (Justin Lubin/ Lionsgate)

The movie is credited to screenwriters Adam Marcus, Debra Sullivan, Kirsten Elms and Stephen Susco based on characters created by Kim Henkel and Hooper, and Luessenhop worked closely with Mazzocone in revising their screenplay.

In earlier scripts, Leatherface would deflect bullets with his chain saw; Luessenhop believed those kind of superhuman feats undermined his credibility as a villain. At the same time, by establishing that familial tie and reinforcing Leatherface’s origin story (using 15 minutes of footage from the original film in a prologue), Luessenhop thought the film would feel less gothic.

“It’s all about humanizing this guy that makes the movie,” the director said. “He’s damaged, abused, stunted — but lethal.”

Yet not too deadly. Several characters meet particularly gruesome ends, but the carnage is remarkably modest given the title.

“I kept the body count low on purpose,” Luessenhop said. “It desensitizes you if you do it too much.”

Along the same lines, the stereoscopic effects, mandated by the global success of 2010’s “Saw 3D: The Final Chapter,” were kept to a minimum.

Nikki (Tania Raymondei) and Ryan (Tremaine ‘Trey Songz’ Neverson) in "Texas Chainsaw 3D." (Justin Lubin/ Lionsgate)

Nikki (Tania Raymonde) and Ryan (Tremaine “Trey Songz” Neverson) in “Texas Chainsaw 3D.” (Justin Lubin/ Lionsgate)

The movie, which Millennium sold to Lionsgate for domestic distribution, was originally set to open Oct. 26 of last year, but its proceeds would have been hurt by Superstorm Sandy, which reached its peak intensity a day earlier.

The new date gives the sequel a quick but open berth, as it is the only new film in wide release this weekend — although it’s still opening in the aftermath of a national tragedy, the shootings at Sandy Hook Elementary in Newtown, Conn., which has rekindled debate about violence in films and other popular entertainment.

Although it’s too early to say if there’s another “Texas Chainsaw” movie in the immediate future, Mazzocone and his producing partners are confident.

“I believe we made a classic monster movie,” Mazzocone said. “Many ‘Texas Chainsaw Massacre’ films have exploited more of the slasher aspects of the genre. This one doesn’t.”

— John Horn

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10 Responses to ‘Texas Chainsaw 3D’ director: Leatherface abused, stunted, lethal

  1. randy says:

    theres a reason this was never a franchise. cuz anything after the original is absolute garbage, as is the case with this one. More hot girls and model guys in the boondocks acting retarded. god im so sick of it…heres a news flash, girls who look like that, DO NOT go hiking/camping/road trips..their not cool….their too busy at home watching mtv, or getting drunk at really lame bars……pure garbage

  2. Seth says:

    I don't know why they're trying to make this sound like some huge revival of a franchise. They don't want to make a good movie, they want to make a movie that makes money. Horror movies are not made for horror fans.

  3. Pete says:

    I agree with Randy. The two women who pitched this to Avi Lerner think that guys want to see hot chicks wearing very little along with hot buff guys getting axed/sawed etc. No we want to see believable people of all ages in termoil and despair. Death that does not come right away is far more horrifying – the thought of it happening is what makes a movie scary.

  4. ImPetrified says:

    Sooo, what I took from this article was: A) there's almost no 3D in the film, even though they're releasing it in 3D to make more money, B) what 3D effects are in the movie will be cheesy and stupid, C) this is a pussy-footing horror flick with very little blood and gore, and D) "oh but wait, we want to make Leatherface "deep" and "humanize" him, this isn't a movie about a chainsaws and gore, it's about FAMILY and brothers and sisters and….stuff like that; whatever just give us money!"

    I can see it now! After Leatherface saws off someone's head….he kneels and holds it up, mumbling through his tight mask of human skin, "Alas poor Yorick, I knew him for about 15 minutes…!" Oscar worthy for certain!

  5. Leatherface says:

    comments from those who "viewed" the movie?

    • Eddie says:

      Fair idea, terribly, TERRIBLY executed. As per the norm these days, the characters are far too attractive and physically stunning to be believable. They're also unlikable playing up to their archetypes. So…since you don't like them you also don't care about them, which means the psychological fear of watching these people be slowly stalked and butchered goes out the window. So the film has to rely heavily on jump scares. Secondly, they sympathetic spin on these killers needs to stop. I wanna fear them, not feel sorry for them. Leatherface just butchered everyone on the screen…but he so sad. Thirdly, how did the one monster plothole get past everyone? Whilst never explicitly stating it, it's fairly common knowledge that the original movie took place during the year it was filmed ('73/'74). So then we then meet up with the infant from the opening sequence 24-25 years later…in 2012…complete with iPhones and Facetime? Can someone explain the math to me?

  6. von says:

    trying to make the psycho monster into a sympathetic abused child. Now that's a stretch.

  7. nick says:

    as it gets panned and rating 20% rofl

  8. joey123mo says:

    I saw the movie. They pulled off the role reversal fairly well but the rest of the movie was crap. With better dialogue this could have been a really good horror movie. Visually I had no problems and the director obviously wanted to try something new, but the second half was for more interesting to watch than the first.

    • Eddie says:

      I thought the switch at the end was clunky and very poorly thought out. He just butchered all of your friends…but here, Jeb, lemme take care of ya. Didn't jive with me at all.

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