Gene Luen Yang

July 18, 2014 | 2:00 p.m.

Comic-Con 2014: 12 vital comic and graphic novel creators to watch

From left, Mike Mignola, Fiona Staples, Gene Luen Yang and Emma Rios.
Over the course of four decades, San Diego’s Comic-Con International has grown from modest roots to become a powerful marketing machine for Hollywood — so much so that the A-list actors and filmmakers who attend can overshadow the creative professionals doing groundbreaking work in comic books and graphic novels. That’s especially disappointing given that the medium is thriving as never before. With the annual pop culture expo expected to draw more than 125,000 visitors to downtown San Diego this week, the following is a look at 12 vital creators working in different areas of the industry: writing, drawing, coloring and cartooning, some of whom are vying for prizes at the annual Eisner Awards — essentially the Academy Awards of comics — which are handed out at Comic-Con each year. Jordie Bellaire A first-time Eisner nominee this year for her work […]
Sept. 10, 2013 | 5:05 p.m.

‘Boxers & Saints’: Gene Yang blends Chinese history, magical realism

'Boxers & Saints' (featured image)
It’s hard to know whom to root for in Gene Luen Yang’s graphic novel diptych “Boxers & Saints.” At once humorous and heartbreaking, the books’ 500 combined pages examine both sides of the Boxer Rebellion in turn-of-the-century China, seamlessly weaving magic and history to tell two interconnected stories. “Boxers” follows Little Bao, a peasant boy who learns kung fu and harnesses the power of the Opera gods to free China from the “foreign devils” — Western soldiers and Christian missionaries. “Saints” tells the tale of Four-Girl, an unwanted daughter who finds acceptance (and a proper name — Vibiana) among the Christian missionaries and their Chinese converts. Both protagonists are haunted and inspired by visions of historical figures — Joan of Arc for Vibiana and Ch’in Shih-huang, China’s first emperor, for Little Bao. “Boxers & Saints,” out today from First Second […]
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