Jose Padilha

Jan. 31, 2014 | 11:34 a.m.

‘RoboCop': Joel Kinnaman, José Padilha get political with sci-fi reboot

Joel Kinnaman plays the lead in "RoboCop." (MGM / Columbia Pictures)
Early on a recent evening on the edge of Beverly Hills, Brazilian filmmaker José Padilha was breaking into song. Seated in the ballroom of a luxury hotel with Swedish actor Joel Kinnaman, the star of his new $120-million reboot of “RoboCop,” the director was feeling mirthful about the looming release of his first Hollywood production, which arrives in a hail of CG action and automatic weapons fire just before Valentine’s Day. Padilha made a name for himself with his 2002 documentary “Bus 174,” which chronicled a gruesome hijacking in Rio de Janeiro, and a pair of ultra-violent action movies — “Elite Squad,” about a Rio special-forces unit, won the Golden Bear award at the 2008 Berlin Film Festival; its sequel, “Elite Squad: The Enemy Within,” ranks as one of the highest-grossing Brazilian films in history. “RoboCop,” a retelling of the […]
Sept. 05, 2013 | 4:05 p.m.

‘RoboCop’ first look: José Padilha tackles drone politics in reboot

Joel Kinnaman plays the lead in "RoboCop." (MGM / Columbia Pictures)
The first trailer for the upcoming “RoboCop” reboot is out, featuring plenty of action and a sleek new suit that pays homage to Paul Verhoeven’s 1987 sci-fi action film. Hero Complex readers get an exclusive first look at some images from the upcoming film (check them out in the gallery above), as well as some perspective from the director, José Padilha. The Brazilian director made a name for himself on the festival circuit for his documentary filmmaking before writing and directing “Elite Squad” and its sequel “Elite Squad: The Enemy Within” — crime thrillers that became critical darlings. Padilha’s first big-budget Hollywood action flick is a remake of Verhoeven’s “RoboCop,” which involves a part-man, part-robot police officer tasked with cleaning up a crime-ridden, dystopian Detroit. Verhoeven’s satiric film, which earned two Oscar nominations, was underscored by political commentary and made […]
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