manga

June 30, 2014 | 6:00 a.m.

‘Batman: The Jiro Kuwata Batmanga’ rises complete, like Lord Death Man

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You know Batman. But do you know Batmanga? In the 1960s, manga artist Jiro Kuwata pitted the Caped Crusader and Robin against a man who wouldn’t die and creatures variously extraterrestrial and mutated right here on Earth in comics for Japanese readers. The work wouldn’t be seen by an American audience until over four decades later, and not in full until now. “Batman: The Jiro Kuwata Batmanga,” translated into English and unabridged, rolls out as a weekly DC Comics Digital First series beginning Saturday, and the entire, 1,000-plus-page run will get a print release later this year across three paperback volumes. It is the first complete collection of Kuwata’s Batman comics outside of Japan. Both the digital and print presentations will preserve the Japanese sequence of panels’ original right-to-left reading order. Digital chapter releases will vary in length from 15 […]
Oct. 11, 2013 | 7:58 a.m.

NYCC: Manga artists, online fans team up for Wikia writing project

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Iconic manga artists teamed up with an online community to take fan fiction to a new level. Throughout September, manga and anime legends Takashi Okazaki (“Afro Samurai”), Masao Maruyama (“Trigun”), Hiro Ikegami (“Space Battleship Yamato 2199″), Yoshitaka Amano (“Vampire Hunter D”), Kazuo Koike (“Lone Wolf and Cub”) and Shin-ichi Hiromoto (“Hells Angels”) teamed up with the Wikia community for a collaborative writing project dubbed the Masters of Animanga. The artists provided a jumping-off point — illustrations and character descriptions — for three stories. Wikia members then contributed to the story, one paragraph at a time. “More and more new characters appeared,” Okazaki said through a translator. “It was unexpected and surprising how the story moved so fast.” Okazaki created characters for a story called “Red Bat” (along with producers Ikegami and Maruyama), about a world in which humans and vampires coexist, and a corporation called Red Bat sells artificially engineered blood to the vamps. Other stories created during Masters […]
July 10, 2013 | 5:00 a.m.

Exclusive: Hello Kitty gets her first comic, launches fan-fiction contest

"Hello Kitty Fashion Music Wonderland" (featured image)
Hello Kitty may be new to the Comic-Con scene, but she’s aiming to make a splash. Japanese merchandising company Sanrio is making its debut at San Diego’s annual pop culture expo this year, complete with a Hello Kitty graphic novel, a fan hub and pop-up shop at Petco Park’s Comic-Con Interactive Zone, a fan-fiction contest, a booth on the convention floor, Comic-Con-exclusive collectibles and appearances by Kitty White herself. Sanrio’s ubiquitous feline already has her own stationery, apparel, jewelry, cartoons, video games, wine and even a jet, but Viz Media’s “Hello Kitty Fashion Music Wonderland,” which will be sold during the convention at the Sanrio pop-up shop, marks the character’s first foray into comics. The 48-page “Fashion Music Wonderland,” which takes its theme from Lewis Carroll’s classic “Alice’s Adventures in Wonderland,” includes three wordless stories by Jacob Chabot (slated for a signing at the Viz Comic-Con […]
June 29, 2012 | 2:23 p.m.

Anime Expo 2012: ‘Martian Successor Nadesico’ is seriously funny

A visitor to the "Geki Fest"' -- a send-up of anime conventions -- in the animated movie, ``Martian Successor Nadesico.''  (Credit: XEBCO/Project Nadesico TV Tokyo).
Anime Expo, the largest convocation of fans of Japanese animation and manga in the country, is now underway at the Los Angeles Convention Center — more than 125,000 are expected to attend. One of the guests of honor is Tatsuo Sato, the creator of an outrageous TV spoof of anime fan culture called “Martian Successor Nadesico,” which is a bit like inviting the Comic Book Guy from “The Simpsons” to speak at Comic-Con International. The Nadesico is a state-of-the-art space battleship (complete with crew jackets, Ping-Pong tables and vending machines) run by a crew of teenage misfits. When he’s not fighting the invading Jovian Lizards, the series’ unlikely hero, fry cook-turned-combat-pilot Akito Tenkawa, watches reruns of “Gekigangar 3,” a hilarious sendup of early giant robot shows in the “Gigantor” mold. Clips from the show-within-the-show feature a disco theme song, stilted animation, hammy […]
April 02, 2012 | 1:23 p.m.

Dave McKean, Jim Woodring among L.A. Times Book Prize finalists

Five graphic novels are nominated for the Los Angeles Times Book Prize.
Aboriginal sci-fi, madcap cartoon realms, a sexualized dreamscape and a garden of geometric surrealism – these are the unexpected ideas and fascinating settings presented by the nominees in the graphic novel category for the 2012 Los Angeles Times Book Prizes. This is the 32nd presentation of the Los Angeles Times Book Prizes but just the third year that the graphic novel category has been included. The winners in all categories will be announced at a ceremony at USC on April 20, right before the start of the 17th annual Los Angeles Times Festival of Books, the largest book festival in the United States. Here’s a look at the nominees in the graphic novel field: Joseph Lambert, “I Will Bite You! And Other Stories” (Secret Acres): Lambert’s dazzling debut effort, “I Will Bite You!” is a collection of short works (it includes some of Lambert’s self-published mini-comics […]
Oct. 10, 2011 | 9:36 a.m.

‘Onward Towards Our Noble Deaths': A graphic novel of war’s rage

Onward Towards Our Noble Deaths (featured image)
In the thinly fictionalized “Onward Towards Our Noble Deaths,” manga artist Shigeru Mizuki recounts the brutality with which the officers of the Imperial Army treated their own men, a story that has received less attention than their savage abuse of the Chinese and other conquered people. Mizuki drew on his painful experiences as a draftee during World War II, when he was sent to the island of New Britain off the northwest coast of New Guinea. He lost his left arm in battle and caught malaria — which kept him from certain death in a suicide charge ordered by his superiors. Private Maruyama serves as Mizuki’s stand-in: a grunt with a talent for drawing, struggling to survive short rations, miserable weather, tropical diseases and American attacks on the island. Like Willie and Joe, the dogface American privates in Bill Mauldin’s […]
Oct. 02, 2011 | 8:37 a.m.

‘Vagabond': Takehiko Inoue creates a samurai masterpiece

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REVIEW To my eye, Takehiko Inoue is the most extraordinary draftsman working today in manga or comics: His ability to draw the human figure in any pose and from any angle puts him in the rarified company of Burne Hogarth (“Tarzan”), Hal Foster (“Prince Valiant”) and Milt Caniff (“Terry and the Pirates”). “Vagabond,” a fictionalized account of the life of samurai hero Miyamoto Musashi, is his masterpiece to date. Musashi (1584?-1645) is a Japanese national hero: One of the greatest swordsmen in history, he was also a skilled artist (with works in painting, calligraphy, sculpture) and the author of “A Book of Five Rings,” a treatise on strategy. (It’s still studied in Japan, and gained a cult following in America during the 1980s as a way of understanding — and fending off — Japan’s surging economic power.) Inoue based “Vagabond” […]
June 03, 2011 | 2:11 a.m.

‘Barefoot Gen': Keiji Nakazawa’s moving autobiography singed by emotion

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REVIEW:  “Hiroshima: The Autobiography of Barefoot Gen” “Barefoot Gen” Volumes 1 & 10 (c) Keiji Nakazawa. All Rights Reserved Seven-year-old Keiji Nakazawa was on his way to school in Hiroshima on Aug. 6, 1945, when he stopped to answer a question from a classmate’s mother. Before he could reply, “a pale light like the flash of a flashbulb camera, white at the center, engulfed me, a great ball of light with yellow and red mixed at its out edge.” The next thing he knew, he was half-buried in rubble with a six-inch nail driven through his cheek. Because he was standing behind a foot-thick concrete wall, Nakazawa  survived. The charred body of his friend’s mother lay nearby. The horrors Nakazawa saw in the ruined city, the poverty and suffering he  endured in postwar Japan, including discrimination against bomb victims,  haunted him […]
March 31, 2011 | 7:49 p.m.

Artists converge for Japan disaster relief

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Works by artists from Pixar, LucasFilm, DreamWorks, Nickelodeon and other studios will be sold at a benefit Saturday in San Francisco to raise funds for Japan disaster relief. The auction is part of the One (Hitoshi) campaign, a series of artist-driven events that will also be held in Los Angeles, New York, Paris and Toronto. The impetus for these benefits comes from Daisuke “Dice” Tsutsumi, an art director at Pixar whose work includes “Toy Story 3.” Tsutsumi has helped gather artists for worthwhile causes before: In 2008, he organized a sale of work by scores of animators and illustrators for the Totoro Forest Project that helped to protect the Sayama Forest — the inspiration for the setting of Hayao Miyazaki’s beloved film “My Neighbor Totoro.” Tsutsumi and French illustrator Gerald Guerlais are finishing the Sketch Travel Project, a collection of […]
March 28, 2011 | 10:15 a.m.

‘America’s Greatest Otaku': Japanese pop culture hits the road in U.S.

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REVIEW In Japanese, otaku simply means “you,” but in America, it’s used to describe a fan of Japanese pop culture: anime, manga, video games, J-pop and/or cosplay. American otaku range from casual enthusiasts to hard-core fanatics; the latter are the subject of the eight-part reality series/documentary “America’s Greatest Otaku,” which premiered on Hulu on Feb. 24. Stu Levy, the founder of TokyoPop, a major publisher of manga in the U.S., serves as host, assisted by six college students who are self-proclaimed otaku. Over eight weeks, they visit 20 U.S. cities, observing various aspects of Japanese fandom and interviewing candidates for the title of America’s Greatest Otaku. It’s an uneven series, veering from interesting to just plain silly and superficial. In one of the better sequences, the apprentice reporters visit the Texas headquarters of Funimation, the largest U.S. distributor of anime. After […]
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