July 18, 2013 | 11:40 p.m.
Comic-Con audiences got the first look at the opening 10 minutes of “The Zero Theorem,” director Terry Gilliam’s mystery-shrouded science fiction film starring Christoph Waltz, Matt Damon and Tilda Swinton, in Hall H Thursday. In a panel moderated by Hero Complex’s own Gina McIntyre, Gilliam’s daughter and producer, Amy Gilliam, and producers Dean Zanuck and Zev Foreman shed a bit of light on the enigmatic movie, the director’s first feature since 2009’s “The Imaginarium of Dr. Parnassus.” Set in a steampunky future world with candy-colored graffiti, talking billboards, whizzing little cars and a cold-hearted bureaucracy called ManCom running the show, “The Zero Theorem” lends itself to comparisons with Gilliam’s seminal dark comedic fantasy, “Brazil.” FULL COVERAGE: San Diego Comic-Con 2013 Waltz, who appears naked, bald and hunched over a desk in the opening shots of the film, plays Qohen, an eccentric […]
Dec. 03, 2011 | 8:03 a.m.
We’re still hearing a lot of response to our biggest article this week, “Terry Gilliam: The heir of Fellini and the enemy of God?,” but the story isn’t quite done yet. Gilliam, the director of “Brazil” and “Twelve Monkeys,” is a man of fiery opinions and during our two interviews (covering three hours and spread over two days) he lobbed a few Molotov cocktails in different directions. So, with quotes that didn’t make it into that first article, we bring you the World According to Gilliam: * On “Transformers: Dark of the Moon“: “The latest ‘Transformers’ movie was on the plane coming over to Los Angeles. It’s horrible and there’s all these phallic things going on. I just couldn’t even deal with it. C’mon, leave some room for me, as the audience. The audience is totally excluded, you just sit there and watch the explosions. […]
Nov. 27, 2011 | 8:03 p.m.
The late Ted Demme once approached Terry Gilliam and asked for the secret of his cinema sorcery. Demme wanted to know how the director of “Brazil,” “Twelve Monkeys” and “The Fisher King” approached those magical transition moments in his movies where reality lurches and gives way to fantasy swirl and fever dream. The elder director, with a toothy grin, explained that he just wasn’t qualified to answer because, well, he wouldn’t know reality if he saw it. “I never quite understand what the real world is,” Gilliam said during a recent visit to Los Angeles. “I told Ted I shoot reality and fantasy the same way because it’s all the same to me. I don’t know how to distinguish between the two, they flow into each other all the time. That’s the autobiographical part in my movies…in Hollywood, everyone takes characters and puts them into action sequences […]