Christopher Nolan revisits his favorite scene in ‘Dark Knight’

Oct. 28, 2008 | 4:04 p.m.


The “Dark Knight” director gives a deep dissection of his single favorite scene in the movie — the gripping interrogation sequence, which (with no special effects and only bare-bones lighting) would become “the fulcrum on which the whole movie turns.”


This is the second of a three-part interview with Christopher Nolan, the director of “The Dark Knight,” which was released in mid-July and is now approaching $1 billion in worldwide box office. The numbers are astounding, but even more startling is the fact that the 38-year-old filmmaker captured that kind of global audience with a movie that is relentlessly dark and finds its axis in the performance of Heath Ledger as the nihilistic and sadistic Joker.

I asked the London native to pick one scene in the film that he would circle as the essential moment in the movie, either in its service to the overall story or the film’s texture. He answered quickly.

Batman_and_the_joker_2Nolan: To be honest, it’s pretty easy for me. The scene that is so important and so central to me is the interrogation scene between Batman and the Joker in the film. When we were writing the script, that was always one of the central set pieces that we wanted to crack.

GB: At what point in the production schedule did you shoot it?

Nolan: On the set, we shot it fairly early on. It was actually one of the first things that Heath had to do as the Joker. He told me he was actually pretty excited to tear off a big chunk early on, really get one of the Joker’s key scenes up in the first three weeks of a seven-month shoot. He and I both liked the idea of just diving in, as did Christian [Bale, who portrayed Batman]. We had rehearsed the scene a tiny bit. We had just ripped through it a couple of times in pre-production just to get some slight feel of how it was going to work. Neither of them wanted to go too far with it in rehearsal. They had to rehearse some of the fight choreography, but even with that, we tried to keep it loose and improvisational. They wanted to save it all. We were all pretty excited to get on with a big chunk of dialogue and this big intense scene between these two iconic characters. It was quite bizarre to see Batman across the table across from the Joker [laughs]. I’m glad you asked this. You know, I could actually talk about this scene for hours.

We had a lot of time to shoot it too, because it was so early on. Quite often, as you get behind on other things and you run toward the end of the shoot, things can get very squeezed. But you tend to schedule the first few weeks very generously to give the crew and the actors and myself time to find our feet and find our pace. So we had a couple of days to do it.

GB: Can you give me a snapshot memory from those days shooting the scene?

Nolan: It was a great set built into a location. It had all of the advantages of feeling that we were in a real place. Nathan Crowley, the production designer, built these great mirrors and this long, tiled room that I really loved the look of; it had the feeling almost of an abattoir or something. That all fed into the brutality of the scene. We wanted to be very edgy, very brutal. We wanted it to be the point at which Batman is truly tested by the Joker and you see that the Joker is truly capable of getting under everybody’s skin. I’m realizing this now about that scene — I haven’t thought this through before — the synthesis of all the different elements that I’m most interested in within filmmaking all come in that scene.


Nolan: The scene starts between Gary Oldman [as James Gordon] and Heath with the lights out, and [director of photography] Wally Pfister literally just lit the scene with the desk lamp, the table lamp, and nothing else. And then when the lights come on, Batman is revealed, and the rest of the scene plays out with a massive overexposure. He overexposed like five stops, I want to say, and then printed it down to bring some of the color back in. But it’s this incredibly intense overhead light which let us move in any direction. We had a handheld camera and shot however we wanted, be very spontaneous.

For me creatively, that had been about inverting the expectation. We’ve all seen so many of these dark movie interrogation scenes where somebody is being given the third degree. We just wanted to completely flip that on its head. And have the bright, harsh, bleak light sort show you the Joker’s make-up and its decay. The Batsuit was redesigned for this film. And unlike the suit that we had in “Batman Begins,” it’s capable of really being shown in incredible detail and still hold up to that kind of scrutiny under that bright light. The suit looked much more real and more like a functional thing this time. The whole scene was about showing something real and brutal and getting this real harshness.

GB: There’s remarkable physicality of the actors in that scene. They are such different presences in the Dark_knight_joker_posterroom: Christian is all dark mass and bottled fury and Heath has this spindly weirdness. … 

Nolan: Yes, and I think you start to see it even at the beginning of the scene where everything is in closer. There are tight close-ups with just a little drift to the camera. We start in a very controlled way, but even within that frame, the way Heath is bobbing in and out —and he’s actually bobbing in and out of the focal plane because, you know, it’s very hard to follow someone whose leaning toward camera the whole time. It actually really adds something. We’re continually trying to catch him with the focus. You really see his movement back and forth. That way, even in a tight frame, you have this sense of strangeness. On the other hand, you have Batman sitting there just very, very controlled, restrained as you say. Then there’s a point where it spills over into real physicality and he drags the Joker across the table. We go handheld at that point and shot the rest of the scene with handheld to be very spontaneous in its movement. They had rehearsed the stunts and the fight stuff very specifically, but we really let the actors work within that. I had never seen anybody sell a punch the way Heath was able to with Christian. I got the violence I wanted. What I felt was really important creatively for the scene was that we show Batman going too far. We show him effectively torturing someone for information because it’s become personal.

Christian and I had talked a lot on “Batman Begins” about finding a moment in that film where you actually worry that Batman will go too far. A moment where his rage might spill over and he would break his rules. We never found that moment. It just wasn’t there in that story. There was a lot of strength and aggression in the way he played the part, but I don’t think the story provided that element of losing control. What the Joker provides in the second film is the fact that his entire motivation is to push people’s buttons and find their rules set and it turn it on itself. And Batman of course places such importance on his rules, his morals. It’s what distinguishes him, in his mind, from a common vigilante. The Joker is able to twist him around and make him question his own approach and his own actions.

Joker_by_bob_kane GB: In the first film, the Batman’s most memorable moments of intense aggression feel more like theater — he’s doing it in a calculated show to scare people. The first movie seems to be about Batman’s fear; the second one is about his rage.

Nolan: Exactly. That’s why we never found that moment of danger, the one we had talked about, where there’s this danger that Batman will just lose it and go too far. That rage is very much a central part of the story in ‘The Dark Knight,’ and that interrogation scene is the fulcrum on which the whole movie turns. I think Batman finds out — and Bruce Wayne finds out — a lot about himself in that scene. I was just delighted to get to see Christian show that rage. And it’s wonderfully balanced with Gary’s control as well. Even though everyone remembers the scene as being the Joker and Batman, Gordon played a very important part to setting it up and allowing this interrogation to happen. And then as he is watching from the sideline, he sees the exact point where this is going too far. He knows Batman well enough to observe this, to recognize it. He tries to get in, but Batman has locked the door. And what we get to lead to, by the end of the scene, when he’s just pounding on the Joker, I think Heath managed to find the exact essence of the threat of the Joker and who he is: He’s being pounded in the face and he’s laughing and loving it. There’s nothing you can do. As he tells Batman, “You have nothing to do with all of your strength.” There’s this sort of impotence of the strong and the armored and the very muscular Batman; he’s very powerful, but there’s no useful way for this power to be exercised in this scene. He has to confront that.

Originally, at the end of that scene, once the Joker reveals his information, Christian dropped him and then, almost as an afterthought, he kicked him in the head as he walked out of the room. We wound up removing that bit. It seemed a little too petulant for Batman in a way. And really, more than that, what it was is that I liked how Christian played it: When he drops the Joker, he has realized the futility of what he’s done. You see it in his eyes. How do you fight someone who thrives on conflict? It’s a very loose end to be left with.

— Geoff Boucher

READ PART ONE OF THIS INTERVIEW: Why Christopher Nolan isn’t sure he will make a third Bat-film

READ PART THREE OF THIS INTERVIEW: Christopher Nolan doesn’t think Marvel-style movies crossovers will work with his Gotham City


All “Dark Knight” coverage at Hero Complex

Photo gallery of possible villains for the next Batman film

Why Angelina Jolie should be Catwoman

Credits: Portrait of Christopher Nolan by Liz O. Baylen / Los Angeles Times. All other photos from the film “The Dark Knight” and promotion poster are courtesy of Warner Bros. The comic-book image is from the first appearance of the Joker in “Batman” issue No. 1 in the spring of 1940; art by Bob Kane and image courtesy of DC Comics.


31 Responses to Christopher Nolan revisits his favorite scene in ‘Dark Knight’

  1. Arturo Lugo says:


  2. Jed Findlay says:

    This is a fantastic interview! More – we need more.
    I would love to hear Nolan pour over every bit of the film – an extended commentary… but that won't happen.
    You guys need to run this thing raw – on video or audio or something.
    Great stuff!

  3. naveen says:

    wonderful insight about the way nolan devised the characters and the scene…..!

  4. Daniel B. says:

    It is wonderful that Mr. Nolan is finally opening up about
    this remarkable film. What a journey it has been for him,
    not only to loose Heath Ledger, but to be at the Helm of a
    runaway hit that transformed into a cultural phenomenon.

  5. RLB72 says:

    That scene is by far my favorite in the film as well (which is saying something because I loved almost every scene). It was perfect…but I have to admit the kick to the head at the end would have been pretty sweet, lol.
    Reading how much he seems to love these characthers I really really hope he comes back for a third movie. I'm sure they could find someone who could do a very good Batman movie, but Chris really seems to have his finger on the pulse of what Batman is all about.

  6. Rod Keys says:

    Wonderful interview!. It's really a delight to read how a director speaks about his favourite scene and the whole theme of the movie in general. Being a fan myself, I'd love to hear the audio commentary on the upcomming DVD this holiday. For what we could know from this bit, it seems that we're feeling the passion and excitment that Nolan has for all of these carachters, as well as the story in wich they are into.

  7. Lawrence says:

    Whoa… Batman kicking Joker's head when the clown revealed Dent's and Rachel Dawes info on their whereabouts?
    whoa…. wonder if that'll appear in a future "Directors' Cut" of the "The Dark Knight" DVD ?… phenomenal!

  8. naveen says:

    wonderful insight about the way nolan devised the characters and the scene…..!

  9. Lewis says:

    Are you sure Nolan said "impudence" and not "impotence"?

  10. Geoff Boucher says:

    Lewis, yikes, thanks, I absolutely transcribed the wrong word and didn't even notice. It's corrected now. Thanks for reading and making the comment….

  11. Glenn S says:

    I thought this scene made the movie when I saw it – Great dialogue, camera work, plus an action sequence all in a confined space.

  12. JMC says:

    Nice interview and like others I like to her Nolans comments on the move and what he was going for. I would like to hear also about his approach on Harvey Dents character in the movie and more indepth on how he approached Two-Face. Why he chose not show his split personality and show his actions of revenge than a fractured psyche and. And most importantly why this character is so short lived in the story and not involded in possible future movies

  13. Chip says:

    Wow, Mr. Nolan and I have the exact same favorite scene. I mean, I love almost every other scene, but the interrogation scene was the one which stood out to me most. It was such a great character moment for both Batman and the Joker, and allowed us to see the pure genious of their relationship.

  14. Alessan says:

    I liked the quote from "Jerry McGuire" the most… The line that Joker spits in that weird manner: "You complete me" :) Epic line

  15. Martina says:

    Wow. I like Nolan even more now. Never read any interview with him before.
    Sure, it's my favourite scene in the movie too, although TDK is full of many other awesome scenes.
    Would love to see the kick in the head, oh my god:), though it's a bit suprising that Batman would lose his time doing it (even if it's just a second or so), he was really in a hurry going for Rachel (he thought).
    I had goosebumps watching the interrogation. You have nothing, nothing to threaten me with… It's among the best movie scenes ever (on my list for sure).

  16. WOW that was a fantastic scene loved every second of it
    i fink its better then the pencil trick scene…
    Actually every part of the film is amazing it is sooo hard to pick a fave
    my fave had to be Heath Ledger he was just amazing as the joker i dnt think anyone can replace him he took on the charector well
    R.I.P Heath
    Gone but not forgotten

  17. William says:

    Great interview. Wonderful insight by Mr Nolan.

  18. Dhritiman says:

    Fantastic scene, my joint favourite in the whole movie. I also love that one shot after The Joker breaks out of Gordon's prison using the cell phone bomb. Because despite establishing himself as anarchistic and near suicidal already, THAT'S the moment you see how far The Joker is willing to go, and why Gordon inadvertently underestimating him costs everyone dearly. Fantastic depth in the characters and writing, no less than what you'd expect from a Christopher Nolan film.

  19. Pat says:

    anyone have the audio recording of this? nolan is usually very adamant that no recordings are published but a few months ago another interview leaked for a short while. would be good to hear this from the horses mouth :)

  20. […] Dark Knight – the interrogation scene between Joker and Batman. You can read it all at the Hero Complex, but here’s a piece. (NOTE: This is from 2008, but CBM just published it and if we missed it, […]

  21. Frank says:

    Nolan’s a great interview. I wish he’d agree to get looked up in an interrogation himself and have have him pour over every scene in the film. If this snippet is any indication his insights would be fascinating.

  22. […] is nothing I can add to what already been expressed about this by Nolan here, it’s an illuminating interview, and you can see from that piece how the film […]

  23. […] — he and older brother, Christopher Nolan, co-wrote the screenplays for ”The Dark Knight,” “The Dark Knight Rises” and “The Prestige” — but now the […]

  24. Divine says:

    I would seriously like to peel into Nolan's mind. I could read this stuff for hours. Good stuff. I love Batman. I love Nolan.

  25. SpenceG says:

    After seeing The Dark Knight Rises over the weekend. I think it stands that this is the best of the trilogy because of the writing and the acting. Heath Ledger's Joker tops Tom Hardy's Bane by a mile. Christian Bale is still an ok Batman, but I do not enjoy the trilogy because of him.

  26. Sidney N says:

    This scene was amazing and did a great job of capturing the audience's attention. I enjoyed it and had great dialogue and camera work.

  27. petrescucosmin says:

    Not being a huge fan of superhero movies, I didn't have much expectations for Batman Begins. However viewing the 2005 Christopher Nolan production, I was pleasantly shocked. Then after my huge expectations for, "The Dark Knight", Christopher Nolan blew my expectations to the dust. Will the same happen with the 3rd and last film, "The Dark Knight Rises"? Quite simply, Yes! My big expectations were once again, blown away. What a production! This is a true cinematic experience, to behold. The movie exceeded my expectations in terms of action, and entertainment. The editing, sound, score, visuals, direction and action are all top notch.

    The film contains a fine cast of talented actors. Christian Bale, of course still makes is a great Batman. Michael Cain is fantastic, as he always is. He gives such a powerful performance, he really ought to be considered for an Oscar nomination. Tom Hardy as Bane is utterly terrifying, at times, and completely ominous. Anne Hathaway as Catwoman/Selina Kyle is a scene stealer. She is completely engrossing. Everyone is so great, the dynamic scenes between the actors are so well done, so well written, and so well directed. The Dark Knight Rises is is emotionally riveting and amazing to view.

    At a running time of almost 3 hours, the film never becomes dull, which is pretty impressive. The movie's action sequences are spectacularly well created and very intense. The dialogue between the character's are intelligent and highly believable. The movie's soundtrack is terrific and really exemplify's many of the movie's scenes. Extremely well editing and sound use really develop many of the movie's action scenes, so it's not just explosions and visuals like in many other movies. Nolan creates a grand, dirty, engrossing world, and his action sequences just hum.

    In conclusion, this film is a gorgeous reminder that great writing and direction can enhance any movie-going experience, even superhero movies, which are usually thought of as mindless entertainment. I am wholly satisfied with Christopher Nolan's vision and thank all who worked on this film for bringing such an intricate interpretation of its very famous literary source. I cannot recommend this film anymore than I have, I just have to say everyone and anyone should see it.

  28. Amanda Harding says:

    Then have notes from your research and then focus on these points and write according to the main idea or topic.

  29. leannemathews says:

    I think the final scenes with the joker and batman are poignant as the joker says we are destined to do this forever but of course they will never get the chance on film again.

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