Adrien Brody is on the hunt for a new career chapter with his action-hero duty in “Predators,” which hits theaters Friday. Amy Kaufman caught up with the Oscar winner to discuss aliens and alienation. This is a longer version of her story, which ran Thursday on the cover of the Los Angeles Times Calendar section.
Adrien Brody isn’t kidding himself — he knows that when people hear his name, “action hero” isn’t the first description that comes to mind.
“The comment is constantly like ‘skinny actor.’ I’m thin. I’m not skinny at all,” said Brody, 37, seeming slightly irritated as he reclined poolside at a Los Angeles hotel last month. “It’s that they harp on a physical thing, because I don’t think there’s a question about my ability as an actor.”
He certainly has the hardware to back up that claim. It was nearly a decade ago that he bounded onstage at the Kodak Theatre, kissing actress Halle Berry before accepting a gold statue for his portrayal of a Jewish-Polish musician in Roman Polanski’s holocaust drama “The Pianist,” making him the youngest lead actor winner in Oscar history.
But for many, it’s been difficult to shake the image of Brody’s gaunt face in the affecting role, for which he famously lost 30 pounds. “A lot of people think I’m a European actor. It’s interesting, and it’s a compliment, in a way …,” he said of his role as Wladyslaw Szpilman. “But it’s not representative of who I am, or what I’m able to do.”
Audiences will certainly see a different side of the actor Friday, with the release of “
Since “The Pianist,” Brody has tackled a variety of roles — including the romantic lead in Peter Jackson’s big budget remake of
“He has so much passion that you’re doing yourself a disservice not to hire an Oscar-winning actor who wants to do a movie this badly,” said Rodriguez. “We looked at the actor list, and a lot of it is the actors you’ve seen do those roles so many times. But Adrien is doing something very fresh and different — it feels like you’ve just discovered some new action hero, yet he has the acting talent that you don’t get in these type of movies.”
Meanwhile, “Predators” costar Laurence Fishburne — who plays a hermit found living on the planet — dismissed the idea that to some, Brody is an unlikely action hero.
“I’m not even going to … dignify that with an answer. I just can’t,” he said. “Adrien Brody is a really terrific actor. He has range. He has intelligence.”
Still, even Brody believes that without having won an Oscar, he wouldn’t have gotten the part. “I would never have been given the shot — ever — if I didn’t have that under my belt, because they definitely wouldn’t hire skinny actor Adrien Brody without that,” he said.
Brody said the cookie-cutter casting approach in Hollywood comes from an aversion to risk. “When you make movies for a wide audience, which studios try to do, they follow a formula that seems safe,” Brody said. “So you have a type of person that fits the bill — actors who’ve proven themselves in a similar role. That’s how people get typecast, because they’re seen and say ‘Oh, that guy is really great at playing that, why don’t we offer him this role that’s very similar,’ and it kind of defeats the purpose of being an actor. You don’t want to repeat yourself constantly. And it’s boring, I would feel, for the audience to constantly see someone portray a very similar role. So I’ve made a conscious decision my entire career to try and find things that are different than something I have done recently. To always push myself and keep it interesting. If it’s interesting for me, it should remain interesting to other people.”
After a month-long process of securing the faith of studio executives, Brody finally did land the “Predators” lead and had to begin a rapid physical transformation to gain 25 pounds. He ate six meals a day: lean complex carbohydrates and proteins, supplements, shakes, oatmeal. He trained with heavy weights and abstained from indulging in alcohol and sugar.
When he unveiled his new physique to the filmmakers, Brody recalled, they were surprised.
“When I was training, I wasn’t really showing off the progress, and at the end, I think I scared them because I had grown a lot and they were all pretty shocked at how I looked,” he said, glancing down at his body. His flannel shirt fell loosely onto his frame, and it appeared that he had since shed much of the muscle mass he gained for the film.
Yet there was more to his extreme preparation than just physical work. While filming in Hawaii, he entered a self-imposed isolation, opting to stay in a remote bungalow on the acres of private rain forest where the movie was shot, instead of in a hotel with the rest of the cast.
“I would sleep in the jungle alone,” he said. “It was just like one damp room with screen doors and a cacophony of sounds and insects and wild boar and all kind of stuff going on outdoors,” he said.
In the early morning, he’d sit by the ocean, meditating and reading Buddhist teachings or military training manuals to get into the mind-set of his character, a former soldier.
Certainly, to some, his obsessive preparation might seem fanatical, but others see the method in his madness, like Vincenzo Natali, who directed Brody as a geneticist in “Splice.”
“He’s a very serious guy,” recognized Natali. “When we were shooting in the winter outside in very cold temperatures, to make his character realistically feel like he was going through hypothermia, he rolled around through the snow so he was physically frozen. I didn’t ask him to do that. That’s just something he did because he wants it to be real, and I like that.”
Brody says going to extreme measures is a necessity — something he must undergo so he’s required to do less acting on-set. “To convey an emotional state, you have to do the work to get to that state, and have some semblance of an understanding and empathy for the character,” he said, pausing repeatedly as if to emphasize the seriousness of his intent. “If you haven’t had the life experiences along the way, if you haven’t done the research, you’re just acting. You’re showing what you think it would be like, and that’s wrong. It’s just wrong.”
It’s that dedication to his craft that makes Brody a true performer, believes Natali. “He’s like a classic type of actor; the type of actor we used to have 30 years ago, like a Robert Redford or a Robert De Niro,” said the director. “I don’t know if Adrien wants to be an action star. I suspect what he wants is to reach a really broad audience. He doesn’t just want to do Sundance–type, critically lauded movies.”
The original “Predator” holds a special place in the hearts of action-film fans and, despite some stinker sequels and spinoffs through the years, Brody said he and the filmmaking team approached the property with respect. That respect, though, didn’t lead to apprehension about fan judgments.
“No, I wasn’t worried about it. Look, I’m a fan of that. And I understand that fans are protective of something like this, and they haven’t been exposed to me in this film. So it’s important for me to have a responsibility and protect the material, and hopefully elevate the material and create new fans for this movie who embrace me. It’s just about educating people. About showing my commitment to it and the commitment from every creative person involved — that it’s not a decision that was made lightly, and that there was tremendous consideration given on all parts. Not just myself, or the studio that wants to protect it for themselves.”
Next, he’ll star in the spy thriller “The Experiment” and the Woody Allen film “Midnight in Paris.” And Brody says it is his intention to keep surprising everyone — even himself. “When I saw this movie, I couldn’t believe how much I loved the movie, and I kept saying to myself, ‘Oh my God, I’m in this.’ It’s different — it’s something I haven’t seen of myself.”
— Amy Kaufman
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PHOTOS: First, third and sixth photos show Adrien Brody in “Predators” (Twentieth Century Fox). Second and fifth photos are portraits of Brody by Kirk McKoy / Los Angeles Times. Fourth photo, Brody and Halle Berry at the Oscars in 2003. (Brian van der Brug / Los Angeles Times)
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